Most lighting decisions get made late, by people whose primary job is something else. The result is schemes that work technically but miss what they could have been.

I'm a commercial photographer with fifteen years of professional experience working with light. How it behaves on surfaces, how it defines form, how it changes a space depending on where it comes from and how much of it there is. That understanding doesn't switch off when I'm not behind a camera.

I work with architects, interior designers and their clients on residential and hospitality lighting: scheme design, fixture specification, zone and scene logic, and a complete brief for your lighting control installer. One coherent document that tells every specialist exactly what the project needs.

As a lifelong audio enthusiast and self-builder currently completing a Class Q barn conversion, I understand how these projects go together at specification stage. Lighting decisions made early, in context, produce better results than those made at second fix.